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October 18

The Price of the Ticket

by Kia Corthron

Originally published in the July/August 2016 issue of The Dramatist

Three years ago I was standing in the lobby of a theater, the typical Broadway cluster-mob awaiting entrance, with more than half the horde African-American. This would be logical, as the show was the musical revue After Midnight, a refurbishing of a prior concert piece entitled Cotton Club Parade celebrating Ellington-era jazz and dance. Inside, my sister and I were led to our orchestra seats, and I looked around: not another black face in sight. It took me a moment to realize that The Mystery of the Vanishing Black Folks likely would have been quickly resolved had we moved up to the balconies. But from where I sat, observing the complexion of the performers versus that of the onlookers, it was the Cotton Club, the Colors entertaining the Caucasians, and that the upper tiers may have been filled with black faces was not exactly comforting, an economically induced throwback to Jim Crow segregation with African Americans relegated to the peanut gallery.

September 28

February 22

What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body's dramatic role in American culture, Nana-Ama Danquah's anthology The Black Body asks thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama's inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, and former Saturday Night Live writer Anne Beatts.

As part of our celebration of Black History Month, we're publishing Danquah's introduction to The Black Body here on the blog. It's a wise and thoughtful piece that delves into complex questions of bodies, blackness, and perception. We hope you'll enjoy.

May 19

September 30