Skip Navigation

Seven Stories Press

Works of Radical Imagination

Search results

"essays/products/i-had-to-say-something"

Filter by:
December 14

Entrapment had made the day’s events, and my own life, seem like legitimate literary subjects. The characters in its pages were called Frank Mears, and Blackie Cavanaugh, and Little Lester, but when I read about them I felt I was reading about old friends. They were the kids I had played with in the abandoned lot behind my apartment in Williamsburg, Brooklyn, as a child; men I knocked around with on street corners, gyms, and bars; my old friend Bones, an alcoholic who looked after me when I became a bicycle messenger at seventeen, and then hung himself from a pipe running along the ceiling of his basement apartment.

October 18

The Price of the Ticket

by Kia Corthron

Originally published in the July/August 2016 issue of The Dramatist

Three years ago I was standing in the lobby of a theater, the typical Broadway cluster-mob awaiting entrance, with more than half the horde African-American. This would be logical, as the show was the musical revue After Midnight, a refurbishing of a prior concert piece entitled Cotton Club Parade celebrating Ellington-era jazz and dance. Inside, my sister and I were led to our orchestra seats, and I looked around: not another black face in sight. It took me a moment to realize that The Mystery of the Vanishing Black Folks likely would have been quickly resolved had we moved up to the balconies. But from where I sat, observing the complexion of the performers versus that of the onlookers, it was the Cotton Club, the Colors entertaining the Caucasians, and that the upper tiers may have been filled with black faces was not exactly comforting, an economically induced throwback to Jim Crow segregation with African Americans relegated to the peanut gallery.

February 22

What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body's dramatic role in American culture, Nana-Ama Danquah's anthology The Black Body asks thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama's inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, and former Saturday Night Live writer Anne Beatts.

As part of our celebration of Black History Month, we're publishing Danquah's introduction to The Black Body here on the blog. It's a wise and thoughtful piece that delves into complex questions of bodies, blackness, and perception. We hope you'll enjoy.