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Happy birthday to Nelson Algren, one of Seven Stories's founding authors and patron saints. Algren was the first ever National Book Award winner, the one-time lover of Simone de Beauvoir, and an inspiration to artists as diverse as Kurt Vonnegut and Donald Barthelme, Studs Turkel and Lou Reed. But Algren was much more than his accolades and could ever show, as the following excerpt from his Noncomformity: Writing on Writing will attest. Beginning with an epigraph from F. Scott Fitzgerald in his 'crack-up' years, Algren's essay is, in some ways, the opposite of inspiring. It is a look into the depths of the writer's motivation (hint: vindictiveness), and a hymn to all those who "live underground." Perhaps enjoy is not the world—but we hope you'll find yourself moved and provoked by this lyrical and brilliant piece of writing on writing.

"But the bohemian narrative needed tweaking, as the old East Village went on dying. So I fudged together a grandiose tale of survival. I was the Last of the Mohicans, I told myself (“aha!”), citing the opening on Avenue A of the gourmet delicatessen Gracefully in 1999 as proof that our values were under attack by capitalism. I, descendant of Richard Hell, was to hold a valiant last stand before the neighborhood surrendered its anarcho-populism to commercial hegemony. Then, having decided my time was up, I would flee to the Upper East Side (I did just that), now the token artist moonlighting as an ironic has-been, raconteur to starchy lawyers and doctors. I would tell myself and everyone else that I’d been part of something real, something raw, something so unlike the preppy invasion, something no algorithm could ever predict, something unannounced."

Carlos Dengler writes about gentrification, social conscience, and more.

You may have heard of the Epic of Gilgamesh, but have heard of the graphic novel of the Epic of Gilgamesh? And did you know that it's actually the most up-to-date English version of the ancient text, based on new translations from a recently discovered tablet? If you didn't, now you do! And here in "The Making of the Dixon Gilgamesh" you can learn even more. Kent H. Dixon, one half of the father-son team behind this ingenious work, talks about taking courses in Akkadian by mail, becoming a "monster of memory," and the prudery of an esteemed old translator who couldn't bear to render sex scenes in anything but Latin. Enjoy! 

A newsletter from our publisher.

A newsletter from our publisher.

This is the real gift of her work, a gift that shines in Bloodchild: in inviting her readers to engage with darker realities, to immerse themselves in worlds more disturbing and complex than our own, she asks readers to acknowledge the costs of our collective inaction, our collective bowing to depravity, to tribalism, to easy ignorance and violence. Her primary characters refuse all of that. Her primary characters refuse to deny the better aspects of their humanity. They insist on embracing tenderness and empathy, and in doing so, they invite readers to realize that we might do so as well. Butler makes hope possible.