November 11
An excerpt from Kurt Vonnegut's A Man Without a Country:
The most I can give you to cling to is a poor thing, actually. Not much better than nothing, and maybe it’s a little worse than nothing. It is the idea of a truly modern hero. It is the bare bones of the life of Ignaz Semmelweis, my hero.
January 10
Ricardo Piglia, one of Argentina’s greatest writers, is dead. In 2013, we published Piglia’s afterword to Rodolfo Walsh’s Operation Massacre. It contains not only a penetrating analysis of Walsh’s book,
June 12
Remember when journalism and cultural criticism provided a valued, stable career—when writers could be paid to say what they please, free from editorial meddling from management, and be paid for it? Neither do we. (We're millenials here at the SSP blog.) But that doesn’t mean we can’t fight for journalists’ labor rights today and in the future.
October 16
Excerpted from Paul Auster's A Life in Words: Conversations with I. B. Siegumfeldt, available for purchase from our site at 25% off list price.
In the conversation below, acclaimed novelist Paul Auster and scholar I. B. Siegumfeldt discuss Auster's "Portrait of an Invisible Man," which comprises one half of The Invention of Solitude and served as the pivotal piece of writing for Auster's movement into a style wholly his own. Auster discusses the hazards of literary education ("I’d come to such a point of self-consciousness that I somehow believed that every novel had to be completely worked out in advance"); the death of his father ("My father came from the generation of men who wore neckties, and apparently he kept every tie he ever owned. When he died, there must have been a hundred of them in his closet. You are confronted by these ties, which are, in a sense, a miniature history of his life."); and the vitality of the unconscious ("I understood that everything comes from within and moves out. It’s never the reverse. Form doesn’t precede content. The material itself will find its own form as you’re working through it."). We hope you enjoy!
February 22
What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body's dramatic role in American culture, Nana-Ama Danquah's anthology The Black Body asks thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama's inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, and former Saturday Night Live writer Anne Beatts.
As part of our celebration of Black History Month, we're publishing Danquah's introduction to The Black Body here on the blog. It's a wise and thoughtful piece that delves into complex questions of bodies, blackness, and perception. We hope you'll enjoy.
