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May 17

There’s no greater chronicler of the despair and hysteria of America in the late twentieth century than Gary Indiana. A novelist, playwright, photographer, poet, and former art critic at the Village Voice, Indiana has set down a generation’s pathologies for posterity. Now, exclusively for the Seven Stories Blog, he takes on the case Jann Wenner, the impresario behind Rolling Stone. Check out Indiana’s review of Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine here!

October 18

The Price of the Ticket

by Kia Corthron

Originally published in the July/August 2016 issue of The Dramatist

Three years ago I was standing in the lobby of a theater, the typical Broadway cluster-mob awaiting entrance, with more than half the horde African-American. This would be logical, as the show was the musical revue After Midnight, a refurbishing of a prior concert piece entitled Cotton Club Parade celebrating Ellington-era jazz and dance. Inside, my sister and I were led to our orchestra seats, and I looked around: not another black face in sight. It took me a moment to realize that The Mystery of the Vanishing Black Folks likely would have been quickly resolved had we moved up to the balconies. But from where I sat, observing the complexion of the performers versus that of the onlookers, it was the Cotton Club, the Colors entertaining the Caucasians, and that the upper tiers may have been filled with black faces was not exactly comforting, an economically induced throwback to Jim Crow segregation with African Americans relegated to the peanut gallery.

February 27

March 09

Comedian, activist, and author Barry Crimmins died last month at the age of 64. One of the legends of the Boston comedy scene, as well as a childhood abuse survivor and a vigilante anti-pedophilia watchdog who helped expose the prevalance of child pornography on early AOL chatrooms, Crimmins was as influential as he was inimitable. In 2004, he published his personal and political memoir Never Shake Hands with a War CriminalBelow are two representatively eclectic chapters from a very funny and yet very serious book: the first is about starting Boston's first true comedy club, the Ding Ho, while living homeless on the outskirts of town, and the second is about snubbing the "satanic" architect of the United States government's atrocities in Vietnam. 

September 28

December 14

Entrapment had made the day’s events, and my own life, seem like legitimate literary subjects. The characters in its pages were called Frank Mears, and Blackie Cavanaugh, and Little Lester, but when I read about them I felt I was reading about old friends. They were the kids I had played with in the abandoned lot behind my apartment in Williamsburg, Brooklyn, as a child; men I knocked around with on street corners, gyms, and bars; my old friend Bones, an alcoholic who looked after me when I became a bicycle messenger at seventeen, and then hung himself from a pipe running along the ceiling of his basement apartment.

April 13

The following excerpt, from Walter Mosley's Workin' on the Chain Gang is featured in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. 

May 19

February 25

February 22

What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body's dramatic role in American culture, Nana-Ama Danquah's anthology The Black Body asks thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama's inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, and former Saturday Night Live writer Anne Beatts.

As part of our celebration of Black History Month, we're publishing Danquah's introduction to The Black Body here on the blog. It's a wise and thoughtful piece that delves into complex questions of bodies, blackness, and perception. We hope you'll enjoy.

April 18

September 13

August 31

October 30

December 07

April25

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