December 20
by Derrick Jensen
When I find myself in times of trouble, I’m less interested in Mother Mary’s wisdom than I am in Joe Hill’s: Don’t mourn; organize.
There’s a sense in which Trump’s election is a surprise, similar to how we somehow seem to be continually surprised when easily predictable negative consequences of this way of life come to pass. So we’re surprised when bathing the world in insecticides somehow causes crashes in insect populations, when covering the world in endocrine disrupters somehow leads to the disruption of endocrine systems
March 15
Happy Birthday, Kate Bornstein! A celebrated pioneer and advocate for the LGBTQ community, Kate Bornstein is the author of My Gender Workbook: How to Become a Real Man, a Real Woman, the Real You, or Something Else Entirely; Gender Outlaw: On Men, Women and The Rest of Us; and A Queer and Pleasant Danger: A Memoir. We've excerpted the introduction and first chapter of the inspiring Hello, Cruel World: 101 Alternatives to Suicide for Teens, Freaks, and Other Outlaws below. We hope you enjoy!
August 27
In this excerpt from The America Syndrome: Apocalypse, War, and Our Call to Greatness, new in paperback this autumn, Betsy Hartmann discusses what has come to be called "the greening of hate"—that is, the fusion of environmentalism with anti-immigrant bigotry, an ideology which was shared by both the Christchurch and El Paso gunmen. She also touches on modern eugenics in the U.S., and stresses the need to avoid simple dualities in discussing questions of population and environment.
February 22
What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body's dramatic role in American culture, Nana-Ama Danquah's anthology The Black Body asks thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama's inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, and former Saturday Night Live writer Anne Beatts.
As part of our celebration of Black History Month, we're publishing Danquah's introduction to The Black Body here on the blog. It's a wise and thoughtful piece that delves into complex questions of bodies, blackness, and perception. We hope you'll enjoy.
March 06
"They are making bourgeois garbage and I have been making revolutionary garbage." Thus quoth Jean-Luc Godard, about his former friends, the "bourgeois" filmmakers Truffaut and Coutard, in this 1970 interview with the Evergreen Review's Kent Carroll. It's a fascinating text, in which Godard, along with Jean-Pierre Gorin, his partner in the class-conscious Dziga-Vertov Group, discuss American students, revolutionary struggle, and "what the Chinese call a bullet wrapped in sugar." We hope you enjoy!
October 06
The chapter below is excerpted from Khary Lazarre-White's Passage. As Farah Jasmine Griffin put it, Passage is "a work of great originality, pain, and aching beauty. Its protagonist, Warrior, a sensitive, haunted and haunting young man, bears the burden of history: the past is always near, shaping and informing present realities of black boys like himself."
April 06
The refrain we hear over and over, in the United States at least, is that people today are apathetic about politics. Yet it turns out that this is far from the case. Voters in the U.S. and in democracies around the world are more engaged in politics than they've ever been. The catch is that they're disillusioned with the democratic process itself. Only 33% of Europeans have faith in the EU. The U.S. Congress has a 69% negative rating. So what gives? In Against Elections, set to be published on April 17th, David Van Reybrouck diagnoses the symptoms of our ailing democracies and comes up with a radical solution: drawing lots, rather than voting, to determine our politicians, just as the ancient Athenians did. Here as an exclusive excerpt on the Seven Stories Blog is the book's introduction, from former Secretary-General of the United Nations Kofi Annan, and the first chapter of Van Reybrouck's book.
May 29
"I grew up in the colonies and I may not have learned politically correct English, but I did learn that imperialism always comes bearing the best intentions. It kindly enlightens the benighted, as it offers to cure their frustrations. But to be cured, savages must first mime the idiocies of their conquerors: trade when they trade, pray where they pray."
June 21
What supposedly thorny journalistic questions could be simply settled by honest, unbiased inquiry? Noam Chomsky asked that very question in 2002, in his speech "The Journalist from Mars," included in the second edition of Media Control: The Spectacular Achievments of Propaganda. Let's say an idealistic journalist came down from Mars, with none of the prejudices used by intellectual elites to buttress up power. What would that Martian make of global affairs and the way they're reported? How would our Martian friend report on terrorist acts in Nicaragua, Lebanon, the U.S., and elsewhere? Chomsky does his best Martian impression and informs us below.
November 30
If the Cultural Purity Police (CPP) had their way, they would brand British curry as theft, but every cuisine consists of an infinite number of borrowings and travels, sometimes stretching back millennia. . . . The idea of cultural purity now determines what representations we might safely consume without guilt. . . . [T]he loss is ours, doomed as we are to sterile images that question and probe nothing, offering only vast oceans of purity . . . .
May 17
There’s no greater chronicler of the despair and hysteria of America in the late twentieth century than Gary Indiana. A novelist, playwright, photographer, poet, and former art critic at the Village Voice, Indiana has set down a generation’s pathologies for posterity. Now, exclusively for the Seven Stories Blog, he takes on the case Jann Wenner, the impresario behind Rolling Stone. Check out Indiana’s review of Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine here!
July 31
A newsletter from our publisher.
October 18
The Price of the Ticket
by Kia Corthron
Originally published in the July/August 2016 issue of The Dramatist
Three years ago I was standing in the lobby of a theater, the typical Broadway cluster-mob awaiting entrance, with more than half the horde African-American. This would be logical, as the show was the musical revue After Midnight, a refurbishing of a prior concert piece entitled Cotton Club Parade celebrating Ellington-era jazz and dance. Inside, my sister and I were led to our orchestra seats, and I looked around: not another black face in sight. It took me a moment to realize that The Mystery of the Vanishing Black Folks likely would have been quickly resolved had we moved up to the balconies. But from where I sat, observing the complexion of the performers versus that of the onlookers, it was the Cotton Club, the Colors entertaining the Caucasians, and that the upper tiers may have been filled with black faces was not exactly comforting, an economically induced throwback to Jim Crow segregation with African Americans relegated to the peanut gallery.
December 14
Entrapment had made the day’s events, and my own life, seem like legitimate literary subjects. The characters in its pages were called Frank Mears, and Blackie Cavanaugh, and Little Lester, but when I read about them I felt I was reading about old friends. They were the kids I had played with in the abandoned lot behind my apartment in Williamsburg, Brooklyn, as a child; men I knocked around with on street corners, gyms, and bars; my old friend Bones, an alcoholic who looked after me when I became a bicycle messenger at seventeen, and then hung himself from a pipe running along the ceiling of his basement apartment.
