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The chapter below is excerpted from Khary Lazarre-White's Passage. As Farah Jasmine Griffin put it, Passage is "a work of great originality, pain, and aching beauty. Its protagonist, Warrior, a sensitive, haunted and haunting young man, bears the burden of history: the past is always near, shaping and informing present realities of black boys like himself."

My parents joined that clan exodus, dying within five months of each other. Actually, I had been losing both incrementally to Alzheimer's over several years.  Each time I returned to the Dominican Republic to look after their care and visit with them, I'd braced myself for the day when they wouldn't know who I was.  No matter how old you get, while your parents are living, you are still somebody's "child."

Their loss, though painful, was in the natural order of things. But then came a loss I was not expecting: my older sister committed suicide.  

Excerpted from Paul Auster's A Life in Words: Conversations with I. B. Siegumfeldt, available for purchase from our site at 25% off list price.

In the conversation below, acclaimed novelist Paul Auster and scholar I. B. Siegumfeldt discuss Auster's "Portrait of an Invisible Man," which comprises one half of The Invention of Solitude and served as the pivotal piece of writing for Auster's movement into a style wholly his own. Auster discusses the hazards of literary education ("I’d come to such a point of self-consciousness that I somehow believed that every novel had to be completely worked out in advance"); the death of his father ("My father came from the generation of men who wore neckties, and apparently he kept every tie he ever owned. When he died, there must have been a hundred of them in his closet. You are confronted by these ties, which are, in a sense, a miniature history of his life."); and the vitality of the unconscious ("I understood that everything comes from within and moves out. It’s never the reverse. Form doesn’t precede content. The material itself will find its own form as you’re working through it."). We hope you enjoy!

Entrapment had made the day’s events, and my own life, seem like legitimate literary subjects. The characters in its pages were called Frank Mears, and Blackie Cavanaugh, and Little Lester, but when I read about them I felt I was reading about old friends. They were the kids I had played with in the abandoned lot behind my apartment in Williamsburg, Brooklyn, as a child; men I knocked around with on street corners, gyms, and bars; my old friend Bones, an alcoholic who looked after me when I became a bicycle messenger at seventeen, and then hung himself from a pipe running along the ceiling of his basement apartment.

Things to Do When You're Goth in the Country, Chavisa Woods's incredible new book of short stories, is out this week. Among those taking notice are Lambda Literary's Sara Rauch, who describes the book as "nuanced and provocative, heartfelt and funny and wise."

In a few days, our great nation will officially put a man into office. We all know who that man is, and his name strikes great chords of fear and confusion within our democracy. But it is not his name we fear, it’s what he represents.

Comedian, activist, and author Barry Crimmins died last month at the age of 64. One of the legends of the Boston comedy scene, as well as a childhood abuse survivor and a vigilante anti-pedophilia watchdog who helped expose the prevalance of child pornography on early AOL chatrooms, Crimmins was as influential as he was inimitable. In 2004, he published his personal and political memoir Never Shake Hands with a War Criminal. Below are two representatively eclectic chapters from a very funny and yet very serious book: the first is about starting Boston's first true comedy club, the Ding Ho, while living homeless on the outskirts of town, and the second is about snubbing the "satanic" architect of the United States government's atrocities in Vietnam. 

Today we celebrate what would be the 71st birthday of the late Octavia Butler, a pioneer in the world of science fiction, with "The Book of Martha," a short story from Bloodchild.

In this story, Butler works through her lack of belief in the possibility of a universally appealing utopia with humor and careful consideration. God summons Martha Bes to effectively ameliorate the conditions of humanity. As a result of the exchange, Martha settles on an original plan to satisfy God's seemingly impossible challenge.

PS: Enter to win a free copy of Bloodchild here, and take 50% off Parable of the Sower and Parable of the Talents through Saturday June 23, 11:59 PM.

"They are making bourgeois garbage and I have been making revolutionary garbage." Thus quoth Jean-Luc Godard, about his former friends, the "bourgeois" filmmakers Truffaut and Coutard, in this 1970 interview with the Evergreen Review's Kent Carroll. It's a fascinating text, in which Godard, along with Jean-Pierre Gorin, his partner in the class-conscious Dziga-Vertov Group, discuss American students, revolutionary struggle, and "what the Chinese call a bullet wrapped in sugar." We hope you enjoy!

As the 50th anniversary of the Stonewall riots approaches, it is important to honor the stories of those in pursuit of justice and acceptance for the LGBT+ community. Originally translated and published in 2009, Seba al-Herz's pseudonymously written The Others is one such story, detailing a nameless woman's discovery of her own sexual orientation within a repressive community in Saudi Arabia. The following excerpt from the 2010 Stonewall Book Award nominee illustrates the powerful, yet tortuous intersection between love, faith, and identity.

What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body's dramatic role in American culture, Nana-Ama Danquah's anthology The Black Body asks thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama's inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, and former Saturday Night Live writer Anne Beatts.

As part of our celebration of Black History Month, we're publishing Danquah's introduction to The Black Body here on the blog. It's a wise and thoughtful piece that delves into complex questions of bodies, blackness, and perception. We hope you'll enjoy.

A note from our publisher remembering Juris Jurjevics, novelist and co-founder of Soho Press, who died this past Wednesday.

The following excerpt, from Walter Mosley's Workin' on the Chain Gang is featured in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. 

To usher in back-to-school season, we've put up a free e-book of Robert Graves's witty, unorthodox writing handbook, The Reader Over Your Shoulder. The promotion lasts through September 11, 5PM EST.

Here on the blog, you can find an excerpt from the first chapter, "The Peculiar Qualities of English." Scholarly and thorough, but never pedantic or doctrinaire, the piece demonstrates why grammar maven Patricia T. O'Conner calls The Reader Over Your Shoulder "the best book on writing ever published."

You may know Franz Kafka's "The Trial," a tale of nightmarish bureaucracy, but do you know Anton Chekhov's? Written in 1881, when Chekhov was only twenty-one, it contains the germ of much that would later come to be considered Chekhovian: petty cruelty, country life, and the inability of one generation to come to terms with the other. And because it's Chekhov's birthday today, we're publishing his short story, "The Trial," exclusively here in the blog. We hope you enjoy, if enjoy is indeed the word.